La Mascarada

Señor Ruiseñor

 

La Lluvia Amarilla

Two Streetcars Named Desire

 

Sadeck waff

 

Macbeth for Voluntary Blacks

 

La Lluvia Amarilla

Arte de las putas

 

Doktor Faustus verstimmen

 

Olivari, Anna Maria. Doktor Faustus (ver-)stimmen: Kompositionen zu Thomas Manns Roman. (Open Access). Berlin: J.B. Metzler, 2021.*

         https://www.academia.edu/45378428/

         2021

Glass Prospective: La televisión medieval en el teatro isabelino

 

She Should Have Died Hereafter

 

Escenificación de Ruiz Mateos

La temporada teatral ha comenzado en Cataluña

Shakespeare Blog

Uno de los blogs que llevaba yo en la Universidad de Zaragoza, y que fueron suprimidos por orden abusiva del Rectorado.

Before Shakespeare

Prisons and Worlds of the Mind

 

Sacred Groves

Escuela de musicales

Jonson in Coote

 

All the World's a Stage

 

Freud ante la esfinge

 

Godwin on Free Will and Necessity

From William Godwin' Thoughts on Man (XII):

There is an old axiom of philosophy, which counsels us to "think with the learned, and talk with the vulgar," and the practical application of this axiom runs thorugh the whole scene of human affairs. Thus the most learned astronomer talks of the rising and setting of the sun, and forgets in his ordinary discourse that the earth is not for ever at rest, and does not constitute the centre of the universe. Thus, however we reason respecting the attributes of inanimate matter and the nature of sensation, it never occurs to us, when occupied with the affairs of actual life, that there is no heat in fire, and no colour in the rainbow.

In like manner, when we contemplate the acts of ourselves and our neighbours, we can never divest ourselves of the delusive sense of the liberty of human actions, of the sentiment of conscience, of the feelings of love and hatred, the impulses of praise and blame, and the notions of virtue, duty, obligation, right, claim, guilt, merit and desert. And it has sufficiently appeared in the course of this Essay, that it is not desirable that we should do so. They are these ideas to which the world we live in is indebted for its crowning glory and greatest lustre. They form the highest distinction between men and other animals, and are the genuine basis of self-reverence, and the conceptions of true nobility and greatness, and the reverse of those attributes, in the men with whom we live, and the men whose deeds are recorded in the never-dying page of history.

But, though the doctine of the necessity of human actions can never form the rule of our intercourse with others, it will still have its use. It will moderate our excesses, and point out to us that middle path of judgment which the soundest philosophy inculcates. We shall learn, according to the apostolic precept, to "be angry, and sin not, neither let the sun go down upon our wrath." We shall make of our fellow-men neither idols to worship, nor demons to be regarded with horror and execration. We shall think of them, as of players, "that strut and fret their hour upon the stage, and then are heard no more." We shall "weep, as though we wept not, and rejoice, as though we rejoiced not, seeing that the fashion of this world passeth away." And, most of all, we shall view with pity, even with sympathy, the men whose frailties we behold, or by whom crimes are perpetuated, satisfied that they are parts of one great machine, and, like ourselves, are driven forward by impulses over which they have no real control.

La Noche de las Letras Vivientes

 

Fear No More

Fear No More the Heat o'the Sun

(from Shakespeare's Cymbeline)

 

 

Fear no more the heat o’ the sun,

Nor the furious winter’s rages;

Thou thy worldly task hast done,

Home art gone, and ta’en thy wages:

Golden lads and girls all must,

As chimney-sweepers, come to dust.

Fear no more the frown o’ the great;

Thou art past the tyrant’s stroke;

Care no more to clothe and eat;

To thee the reed is as the oak:

The scepter, learning, physic, must

All follow this, and come to dust.

Fear no more the lightning flash,

Nor the all-dreaded thunder stone;

Fear not slander, censure rash;

Thou hast finished joy and moan:

All lovers young, all lovers must

Consign to thee, and come to dust.

No exorciser harm thee!

Nor no witchcraft charm thee!

Ghost unlaid forbear thee!

Nothing ill come near thee!

Quiet consummation have;

And renownèd be thy grave!

From Kenneth Branagh's film All Is True (2019)

Music by Patrick Doyle. Sung by Abigail Doyle.

—oOo—

The Libertine

Teatro de Delfos

 

All Is True (El Último Acto)

Más sobre la internalización de la interacción

William Shakespeare: Biography, Quotes, Plays, Facts, Education, Influence

David Hare on Playwriting

Time and Memory - Mark Turner

 

Mi gran noche

El Circo del Sol en Madrid Arena

General Introduction to Shakespeare (Levin)

Historia de varios padres

Contagio

 

Els Joglars, Ubú President

En Buenos Aires, Shakespeare

American Drama Group Europe

Mythologos: Introduction To Shakespeare!

Substitute Drama Teacher

Seminario sobre Afectividad

Volpone, or the Fox (Audiobook)

Eduardo II (Marlowe)

Doctor Faustus - Oxford Theatre Guild

Jennifer Haley, The Nether

David Hare, Licking Hitler

 

Retropost, 2011: Antología de la estafa ETA/PSOE

Rufus Wainwright - Prima Donna

Norman Holland - Psychoanalysis and Shakespeare

Snowflakes of Color

Shakespeare and Cognition

Géneros Literarios en la Literatura Inglesa 1 - Teatro inglés

 

Impresiones de realidad (Zubiri)

Aristotle's Poetics (BBC In Our Time)

 

Anonymous

Synecdoche, New York

Dance #Shadowstory

El teatro de Mas

 

How to Make Artificial People

A Heap of Masks

 

Virginia Woolf (Academy Media)

Frank Harris, El hombre Shakespeare

 

Un momento de Virginia Woolf

Medea en Filosofía y Letras

Calderón - El Gran Teatro del Mundo

Hobbes's Dramatism

The Dramaturgical Perspective

York Mystery Play 'Crucifixion'

Goffman and the Interaction Order

Oedipus Rex (Sophocles / Yeats)

The Chester Noah Play

 

Calderón de la Barca: El Gran Teatro del Mundo

Linda Perry "What's Up" - Family Equality LA Impact Awards

Teatro Griego

Brave New World (1956) - Aldous Huxley as Narrator

Covidian Kabuki

Like the rest of this Kabuki theater, Biden's Vaccine Mandate does not exist, it's just a Press Release.
Except military and federal employees.

If you are injured by the jab due to a non-federal employee mandate, your employer will not be covered.https://t.co/NR2xrOUydu

— Robert W Malone, MD (@RWMaloneMD) October 8, 2021

Tragedy and the Oedipal Subject: Shakespeare (and Freud)

El Gran Teatro del Mundo

Glass Prospective

Dorondón Teatro Biescas 2015

 

Argentina hoy - Marcelo Gullo, Javier Neira y Gustavo Bueno Sánchez - Teatro Crítico

Orgullo y Prejuicio en Teruel

The King and I

Escoptofilias terminales

 

The (In)Definition of Reality: Reframing and Contested Topsight

 

Brian Friel +

 Brian Friel died on Oct. 2, 2015:

Limbese

 Limbese: Homenaje a Samuel Beckett: https://www.facebook.com/elgranteatrodelmundo/photos/a.1148144401881125/1148144305214468/?type=3

This Is My Play's Last Scene

Shakespeare's Mother

 

In Search of Shakespeare: A Time of Revolution

Ophelia

 

Lagaan (1970)

 

Gowariker, Ashutosh, dir. Lagaan: Once upon a Time in India. Screenplay by Kumar Dave and Sanjay Dayma, on as story by Ashutosh Gowariker. Cast: Aamir Kahn, Raghuvir Yadav, Gracy Singh. 1970. ("Lagaan Aamir Khan Hindi Bollywood 720p.") YouTube (Sinema Dünyasi) 17 Jan. 2019.*

https://youtu.be/-scpbnMy-u4

2021

Semiótica del Subgesto

Shakespeare Playlist

 

York Doomsday Plays

Mi bibliografía sobre teatro (general)

Mi bibliografía sobre 'Hamlet'