Adiós a Tom Stoppard: el dramaturgo que redefinió la inteligencia en el escenario

  

 

Rose, Charlie. "Adiós a Tom Stoppard: El dramaturgo que redefinió la inteligencia en el escenario." Video, interview with Tom Stoppard (2006). YouTube (Charlie Rose) 29 Nov. 2025.*

         https://youtu.be/9NQebVXA7fo

         2025

 

Señora de rojo sobre fondo gris

 

La ratonera

 

Ratonera

 

Bibliografía de las obras de Samuel Beckett

 Bibliografía de las obras de Samuel Beckett: https://www.academia.edu/405477/

Tom Stoppard, Arcadia

  

Stoppard, Tom. "Tom Stoppard's Arcadia." YouTube (MuskPumpkin)

         https://www.youtube.com/playlist?list=PL6-Gpuptr59cugzVIfMp7hu-P0n0gsviS

         2025

Too True to Be Good: Cartografía narrativa

 Retropost, 2015:

Comentaremos en este artículo la obra teatral de George Bernard Shaw Too True to Be Good (1931) como modelo de cartografía narrativa, y especificaremos algo más esta noción conceptual desarrollada con vistas al análisis narrativo en un marco consiliente. La noción de consiliencia ha sido desarrollada recientemente por E. O. Wilson en Consilience (1998) y ofrece un marco científico deseable, por las razones que allí se exponen, al que remitir las investigaciones de los fenómenos culturales. El presente artículo pretende contribuir al estudio de las estructuras narrativas desde una perspectiva consiliente. 

English Abstract:

Too True to Be Good: Narrative Mapping

This paper comments George Bernard Shaw's drama Too True to Be Good (1931) as a paradigm of narrative mapping, and further specifies this conceptual tool, developed for narrative analysis within a consilient framework. The notion of consilience recently propounded by E. O. Wilson in Consilience (1998) provides a valuable scientific paradigm for research into cultural phenomena. This paper is a contribution towards a consilient perspective on narrative structures.



Date posted: April 30, 2014  

http://papers.ssrn.com/abstract=2430221

eJournal Classifications	Message
AARN Subject Matter eJournals      Linguistic Anthropology eJournal - CMBO          AARN: Language, Culture & Power (Topic) - CMBO              AARN: Identity & Belonging (Sub-Topic) - CMBO	Added to eLibrary
AARN Subject Matter eJournals      Applied & Practicing Anthropology eJournal - CMBO          AARN: Theory & Method in Applied Anthropology (Topic) - CMBO	Added to eLibrary
CSN Subject Matter eJournals      Cognition & the Arts eJournal - CMBO          CSN: Mental Operations (Cognition & the Arts) (Topic) - CMBO              CSN: Narrative & Story (Sub-Topic) - CMBO	Distributed in Cognition & the Arts eJournal Vol 6, Issue 11, May 15, 2014
LIT Subject Matter eJournals      English & Commonwealth Literature eJournal - CMBO          LIT: Twentieth-Century British Literature (Topic) - CMBO	Distributed in English & Commonwealth Literature eJournal Vol 4, Issue 9, May 16, 2014
PRN Subject Matter eJournals      Philosophy of Language eJournal - CMBO          PRN: Reference (Topic) - CMBO	Distributed in Philosophy of Language eJournal Vol 7, Issue 9, May 20, 2014

 También se encuentra en:
 

_____. "Too True to Be Good: Cartografía narrativa." In García Landa, Vanity Fea 24 Dec. 2012.*

         http://vanityfea.blogspot.com.es/2012/12/too-true-to-be-good-cartografia.html

         2012

_____. "Too True to Be Good: Cartografía narrativa." Social Science Research Network 30 April 2014.*

https://ssrn.com/abstract=2430221

http://dx.doi.org/10.2139/ssrn.2430221

         2014

         Linguistic Anthropology eJournal 30 April 2014.*

         http://www.ssrn.com/link/Linguistic-Anthropology.html

2014

Applied and Practicing Anthropology eJournal 30 April 2014.*

         http://www.ssrn.com/link/Applied-Practicing-Anthropology.html

2014

Cognition & the Arts eJournal 6.11 (15 May 2014).*

         http://www.ssrn.com/link/Cognition-Arts.html  (30 April 2014).*

2014

English & Commonwealth Literature eJournal 4.9 (16 May 2014).*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html (30 April 2014).*

2014

Philosophy of Language eJournal (20 May 2014).*

         http://www.ssrn.com/link/Philosophy-Language.html (30 April  2014).*

         2014

_____. "Too True to Be Good: Cartografía narrativa." ResearchGate 22 March 2015.*

         https://www.researchgate.net/publication/272578981

         2015

_____. "Too True to Be Good: Cartografía narrativa." Academia.edu 6 April 2015.*

         https://www.academia.edu/11807022/

         2015

_____. "Too True to Be Good: Cartografía narrativa." In García Landa, Vanity Fea 6 April 2015.*

         http://vanityfea.blogspot.com.es/2015/04/too-true-to-be-good-cartografia.html

         2015

_____. "Too True to Be Good: Cartografía narrativa." Net Sight de José Angel García Landa 4 Jan. 2023.*

         https://personal.unizar.es/garciala/publicaciones/TooTrue.pdf

         2023

 Too True to Be Good: Cartografía narrativa

—oOo—

Hurt as Krapp

 Hurt as Krapp https://dctheatrescene.com/2011/12/02/krapps-last-tape-3/

Un anillo en 'Bingo'

 Un anillo en 'Bingo': https://personal.unizar.es/garciala/publicaciones/unanillo.pdf

 Un articulillo mío sobre teatro y tiempo narrativo:

Time and the Conways (y la falacia narrativa)  

http://papers.ssrn.com/abstract=2547409

 

Analizamos la estructura narrativa del drama de J. B. Priestley Time and the Conways (1937) examinando su uso de las anacronías objetivas en relación a la estructura hermenéutica retrospectiva inherente a toda representación narrativa, que da lugar a una disjunción temporal que denominamos la "falacia narrativa".

(Time and the Conways (and the Narrative Fallacy))

English Abstract:
An analysis of the narrative structure of J. B. Priesley's drama Time and the Conways (1937). The paper analyzes its use of objective anachronies in relation to the retrospective hermeneutic structure inherent in any narrative representation, which gives rise to a temporal disjunction we dub the "narrative fallacy".

Note: Downloadable document is in Spanish.

 

Number of Pages in PDF File: 9
Keywords: Narrative, Narrative structure, Hindsight, Hermeneutics, Narratology, J.B. Priestley, Drama, English literature, Time, Temporal structure

eJournal Classifications (Date posted: 10 Jan. 2015):
CSN Subject Matter eJournals      Cognition & the Arts eJournal - CMBO          CSN: Mental Operations (Cognition & the Arts) (Topic) - CMBO              CSN: Narrative & Story (Sub-Topic) - CMBO
LIT Subject Matter eJournals      English & Commonwealth Literature eJournal - CMBO          LIT: Twentieth-Century British Literature (Topic) - CMBO

También aquí:

_____. "Time and the Conways." In García Landa, Vanity Fea 19 March 2011.*

         http://vanityfea.blogspot.com/2011/03/time-and-conways.html

         2011

_____. "Time and the Conways (y la falacia narrativa) (Time and the Conways (and the Narrative Fallacy)). SSRN 10 Jan. 2015.*

http://dx.doi.org/10.2139/ssrn.2547409

https://ssrn.com/abstract=2547409

         2015

         Cognition & the Arts eJournal 10 Jan. 2015.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2015

         English & Commonwealth Literature eJournal 10 Jan. 2015.*

         http://www.ssrn.com/link/English-Commonwealth-Lit.html

         2015

_____. "Time and the Conways (y la falacia narrativa)." In García Landa, Vanity Fea 20 Jan. 2015.*

         http://vanityfea.blogspot.com.es/2015/01/time-and-conways-y-la-falacia-narrativa.html

         2015

_____. "Time and the Conways (y la falacia narrativa)." Academia 24 March 2016.*

         https://www.academia.edu/23665446/

         2016

_____. "Time and the Conways (y la falacia narrativa)." ResearchGate 27 March 2016.*

         https://www.researchgate.net/publication/299442361

         2016

_____. "Time and the Conways (y la falacia narrativa)." Net Sight de José Angel García Landa 4 Jan. 2023.*

         https://personal.unizar.es/garciala/publicaciones/eltiempoylosconway.pdf

https://personal.unizar.es/garciala/publicaciones/timeandtheconways.pdf

https://personal.unizar.es/garciala/publicaciones/timeandtheconways.html

         2022

Time and the Conways

—oOo—

Noël Coward

 Retropost, 2014:

From the Oxford Companion to English Literature, ed. Margaret Drabble:


COWARD, Noël. (1899-1973), actor, dramatist, and composer, born in Teddington, Middlesex, the son of a piano salesman and an ambitious mother who from an early age encouraged his theatrical aspirations. His first play was performed in 1917, but he achieved fame with The Vortex (1924), in which he himself appeared as Nicky Lancaster, a young drug addict tormented by his mother's adulteries. More characteristic of his talent were his comedies Fallen Angels (1925), Hay Fever (1925, about the the eccentric, theatrical, guest-confusing, self-regarding Bliss family), Private Lives (1933), about two disastrous interconnected second marriages), Design for Living (1933, about a successful ménage à trois), and Blithe Spirit (1941), which features the hearty medium, Madame Arcati, and Elvira, a predatory ghost. The smart sophistication, technical accomplishment, and convention-defying morality (or amorality) of these pieces captured the public of the day, but another and more sentimental side of Coward was revealed in his patriotic works (Cavalcade, 1931) and wartime screenplays such as Brief Encounter (1944) and This Happy Breed (1942). After the war Coward continued to write prolifically; his plays were less well received, to his own surprise, and he was outspoken about his contempt for the new, *kitchen sink school of realism and for the 'pretentious symbolism' of *Beckett. He had a new lease of life as cabaret entertainer at the Café de Pris, London, and in Las Vegas; then, in 1963, a revival of Private Lives at Hampstead Theatre Club precipitated a new wave of interest in Coward's work and many more revivals, including prestige productions at the *National Theatre. Coward was knighted in 1970, and died in Jamaica. He also published volumes of verse, short stories, a novel (Pomp and Circumstance, 1960), and two volumes of autobiography, The Noel Coward Diaries (1982, ed. G. Payn and Sheridan Morley), which cover his life from 1941 to 1969, are an entertaining fund of theatrical gossip, criticism of fellow playwrights, and admiring comments on the royal family.



______

Noël Coward on acting:


 

 

Inter-war Drama: O'Casey, Coward, Priestley and Sherriff

 

NOT I by Samuel Beckett

 

 

OK nice job—but the montage is in some respects counterproductive. This play requires a single fixed shot. The cutting makes for less minimalism and less concentration. So does the lipstick.

_____

Billie Whitelaw on TV:

 

 

All That Fall (1957)

 

—oOo—

Happy Days

 

John Millington Synge - Ralph Vaughan Williams: Riders to the Sea

 

Jean Cocteau documentary

An Introduction to Brechtian Theatre

 Retropost, 2014:

David Hare, LICKING HITLER

 

David Hare, Licking Hitler. Cast: Bill Paterson, Kate Nelligan, Hugh Fraser, Brenda Fricker, Clive Revill. Director: David Hare. BBC, 1977. Online at YouTube (CIDrama14) 26 March 2014.*

         http://youtu.be/YmW-7DzNvzg

         2014 DISCONTINUED 2024

         YouTube (Seitreu Hagen) 20 March 2023.*

         https://youtu.be/kbsR7S60hRA

         2024

 

RELOADED:

 

—oOo—

Alan Ayckbourn in Conversation

 Retropost, 2014:

The Mousetrap

 

Harold Pinter: Arte, verdad y política

Nuestra traducción del discurso de recepción de premio Nobel de Harold Pinter apareció en varios sitios, y desapareció también de un par de ellos Ahora puede verse aquí:

 

Harold Pinter:  ARTE, VERDAD Y POLÍTICA

https://www.academia.edu/104883546/

García Landa, José Ángel, and Beatriz Penas Ibáñez, trans. "Harold Pinter: Arte, Verdad, y Política: Discurso del Premio Nobel 2005." In García Landa, Vanity Fea 29 Dec. 2005:

         http://garciala.blogia.com/2005/122901-harold-pinter-discurso-del-premio-nobel-2005.php

http://garciala.blogia.com/2005/122902-harold-pinter-arte-verdad-y-politica.php

2005

_____."Arte, verdad y política." Nobel lecture by Harold Pinter. In Fírgoa: Universidade pública 9 Dec. 2005.

http://firgoa.usc.es/drupal/node/24005

         2005-12-09

_____. "Arte, verdad, y política." Nobel lecture by Harold Pinter. Trans. José Ángel García Landa and Beatriz Penas Ibáñez. Tinku.org (Dec. 2005).

         http://www.tinku.org/news_item.asp?NewsID=917

         2005 DISCONTINUED 2014

_____. "Arte, verdad, y política." Trans. José Ángel García Landa and Beatriz Penas Ibáñez. El mercurio (Dec. 2005).

http://www.mercurialis.com/prensa/discurso-h.pinter.htm

2005 DISCONTINUED 2014

_____. "Arte, verdad, y política." Nobel lecture by Harold Pinter. Trans. José Ángel García Landa and Beatriz Penas Ibáñez. In García Landa, Vanity Fea 29 Dec. 2005:

         http://garciala.blogia.com/2005/122902-harold-pinter-arte-verdad-y-politica.php

         2005

_____. "Art, Truth, and Politics de Harold Pinter (2005): Traducción de un texto culturalmente relevante." Transfer 8.1-2 (May 2013): 16-32.*

http://www.ub.edu/cret_transfer/index.php?option=com_content&task=view&id=225&Itemid=123&lang=es

2013 DISCONTINUED 2019

http://revistes.ub.edu/index.php/transfer/article/view/17862

2019

_____. "Art, Truth, and Politics de Harold Pinter (2005): Traducción de un texto culturalmente relevante." From Transfer. Online at Raco.cat

         http://www.raco.cat/index.php/Transfer/article/download/269609/357149

         2014

_____. "Pinter: Arte, verdad y política." In García Landa, Vanity Fea 23 July 2014.*

         http://vanityfea.blogspot.com.es/2014/07/pinter-arte-verdad-y-politica.html

         2014

_____. "Arte, verdad y política de Harold Pinter (2005): Traducción de un texto culturalmente relevante." Academia 11 Jan. 2016.*

         https://www.academia.edu/20167814/

         2016

         https://www.academia.edu/104883546/

         2023

_____. "Harold Pinter: Discurso del premio Nobel." Trans. José Angel García Landa and Beatriz Penas Ibáñez. El Placard 17 April 2016.*

         http://el-placard.blogspot.com.es/2016/04/harold-pinter-discurso-del-premio-nobel.html

         2016

_____. "Arte, verdad y política: Discurso de Harold Pinter al recoger el Premio Nobel de Literatura en 2005." La Casa de mi Tía 22 Oct. 2023.*

         https://www.lacasademitia.es/articulo/politica/arte-verdad-politica-discurso-harold-pinter-recoger-premio-nobel-literatura-2005/20231022215306145796.html

         2023

Aquí hay otra traducción, en los subtítulos del vídeo en el que Pinter pronunció su discurso in absentia:

http://youtu.be/Tq3sQpSCvmo  

 

 

—oOo—