Contando cómo le paramos los pies

 Contando cómo le paramos los pies: https://personal.unizar.es/garciala/publicaciones/Contandocomo.pdf

Cómo mostrar cosas con palabras

Cómo mostrar cosas con palabras: https://personal.unizar.es/garciala/publicaciones/comomostrar.pdf

Acción, Relato, Discurso

 Retropost, 2014: Acción, Relato, Discurso https://vanityfea.blogspot.com/2014/03/accion-relato-discurso_31.html

Miércoles 26 de febrero de 2014

Narrative and Identity

Abstract

From the point of view of hermeneutic psychology, the self is a product of action and of representation, with narratives of the self as a major representational and structuring principle. In this sense reality is interwoven with narrative fictions. Experimental fictions and reflexive narratives are therefore a prime cognitive instrument in the development of complex structures of self-identity and subjetivity.

Keywords: Subjectivity, Self-identity, Narrative, Hermeneutics, Self, Psychology

______

Aparece este artículo mío en diversas revistas del SSRN—en las redes de Ciencia Cognitiva, de Filosofía, y de Retórica y Comunicación:

Texto completo:

Narrative and Identity

Reference Info: Café Philosophy (Oct./Nov. 2011)

Date posted: January 15, 2014  

http://papers.ssrn.com/abstract=2378357

eJournal Classifications
CSN Subject Matter eJournals      Human Cognition in Evolution & Development eJournal - CMBO          CSN: Development (Topic) - CMBO
CSN Subject Matter eJournals      Cognitive Linguistics: Cognition, Language, Gesture eJournal - CMBO          CSN: General Cognitive Linguistics: Cognition, Language, Gesture (Topic) - CMBO
CSN Subject Matter eJournals      Cognition & the Arts eJournal - CMBO          CSN: Mental Operations (Cognition & the Arts) (Topic) - CMBO              CSN: Narrative & Story (Sub-Topic) - CMBO
PRN Subject Matter eJournals      Aesthetics & Philosophy of Art eJournal - CMBO          PRN: Aesthetic Experience, Judgment, Value (Topic) - CMBO
PRN Subject Matter eJournals      Philosophy of Mind eJournal - CMBO          PRN: Philosophy of Psychology & Cognitive Science (Topic) - CMBO
RCRN Subject Matter eJournals      Rhetorical Theory eJournal - CMBO          RCRN: Rhetorical Identity & Identification (Topic) - CMBO

También aquí:

_____. "Narrative and Identity." Café Philosophy (Auckland, NZ) Oct-Nov. 2011: 9-10.*

         http://cafephilosophy.co.nz/issues/october-november-2011/

         2012

_____. "Narrative and Identity." Online at Social Science Research Network 15 Jan. 2014.*

         http://ssrn.com/abstract=2378357

         2014

         Human cognition in Evolution & Development eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Human-Cognition-Evolution-Development.html

         2014

         Cognitive Linguistics: Cognition, Language, Gesture eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Cognitive-Linguistics.html

         2014

         Cognition & the Arts eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Cognition-Arts.html

         2014

         Aesthetics & Philosophy of Art eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Aesthetics-Philosophy-Art.html

         2014

         Philosophy of Mind eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Philosophy-Mind.html

2014

         Rhetorical Theory eJournal 15 Jan. 2014.*

         http://www.ssrn.com/link/Rhetorical-Theory.html

         2014

_____. "Narrative and Identity." In García Landa, Vanity Fea 26 Feb. 2014.*

         http://vanityfea.blogspot.com.es/2014/02/narrative-and-identity.html

         2014

_____. "Narrative and Identity." Academia.edu 15 July 2014.*

         https://www.academia.edu/7667186/

         2014

_____. "Narrative and Identity." ResearchGate 11 Aug. 2014.*

         https://www.researchgate.net/publication/264558296

         2014

_____. "Narrative and Identity." Net Sight de José Angel García Landa 4 Jan. 2023.*

         https://personal.unizar.es/garciala/publicaciones/CafePhilosophy.pdf

         2023

 

 

—oOo—

Narrative and Identity Revisited

Narrative and Identity Revisited: https://vanityfea.blogspot.com/2014/02/narrative-and-identity-revisited.html

La narración en el teatro

 Una tesis doctoral sobre narratología teatral y la narración en el teatro:

Neal Swettenham, The Role and Status of Narrative in Contemporary Theatre. De Montfort U, 2003. PDF en red aquí:

https://www.dora.dmu.ac.uk/bitstream/handle/2086/4317/271923.pdf

 En la que me citan, por cierto.

Yo, ejemplo de estilo

 

Remodelación de la identidad narrativa

 

The Analysis of Narratives

The Power of Story, Tim Lott & John Yorke

Estilo indirecto libre en Richardson

 

Escribe Clarissa (Vol. III, carta LXXXV) a Anna Howe, describiendo los engaños de Lovelace, con el burdel en el que la alojaba, y con sus falsas primas aristócratas:

 

He always loved to speak as he found. No man in the world had suffered more from calumny than he himself had done.

Esto, por supuesto, es estilo indirecto libre. No es Clarisa describiendo lo que opina del carácter de él, o de si ha sido víctima de la calumnia, sino transmitiendo lo que Lovelace dice sobre sí mismo. Y así seguimos:

Women, he owned, ought to be more scrupulous than men needed to be where they lodged. Nevertheless, he wished that fact, rather than surmise, were to be the foundation of their judgments, especially when they spoke of one another.

He meant no reflection upon her ladyship's informants, or rather surmisants (as he might call them), be they who they would: nor did he think himself obliged to defend characters impeached, or not thought well of, by women of virtue and honour. Neither were there people of importance enought to have so much said about them. 

The pretended Lady Betty said, All who knew her would clear her of censoriousness: that it gave her some opinion, she must neds say, of the people, that he had continued thereso long with me; that I had rather negative than positive reasons of dislike to them; and that so shrewd a man as she heard Captain Tomlison was, had not objected to them.

I think, Niece Charlotte, proceeded she, as my nephew has not parted with these lodgings, you and I (fo, as my dear Miss Harlowe dislikes the people, I would not ask her for her company) will take a dish of tea with my nephew there, before we go out of town, and then we shall see what sort of people they are. I have heard that Mrs. Sinclair is a mighty forbidding creature.

With all my heart, madam. In your ladyship's  company I shall make no scruple of going any whither.

It was ladyship at every word; and as she seemed proud of her title, and of her dress too, I might have guseed that she was not used to either. 

What say you, Cousin Lovelace? Lady Sarah, thogh a melancholy woman, is very inquisitive about all your affairs. I must acquaint her with every particular circumstance when I go down. 

With all his heart. He would attend whenever she pleased. She would see very handsome  apartments, and very civil people.

The deuce is in them, said the Miss Montague, if they appear other to us.

They then fell into family talk, family happiness on my hoped-for accession into it. They mentioned Lord M.'s and Lady Sara's great desire to see me. How many friends and admirers, with up-lift hands, I  should have! [O my dear, what a triumph must these creatures, and he, have over the poor devoted all the time!] What a happy man he would be! They would not, the Lady Betty said, give themselves  the mortification but to suppose that I should not be one of them!

Presents were hinted at. She resolved that I should go with her to Glenham Hall. She would not be refused, although whe were to stay a week beyond her time for me. 

She longed for the expected letter from you. I mot write to hasten it, and to let Miss Howe know how everything stood since I wrote last. That might dispose me absolutely in their favour and in her nephew's; and then she hoped there would be no occasion for me to think of entering upon any new measures. 

Indeed, my dear, I did at the time intend, if I heard not from you by morning, to dispatch a man and horse to you, with the particulars of all, that you might (if you thoughtt proper) at least put off Mrs. Townsend's coming up another day. But I was miserably prevented.

(...)

—oOo—

 

La narración en el teatro contemporáneo