Mostrando entradas con la etiqueta Historia. Mostrar todas las entradas
Mostrando entradas con la etiqueta Historia. Mostrar todas las entradas

miércoles, 13 de mayo de 2026

Colón gallego


Un nuevo estudio de ADN ha revivido una teoría de larga data que sugiere que Cristóbal Colón en realidad no era italiano en absoluto, sino Pedro Álvarez de Soutomaior, un noble gallego también conocido como Pedro Madruga. Los investigadores compararon material genético de restos que se cree están vinculados a Colón con ADN de descendientes documentados de la línea familiar de Madruga, encontrando similitudes sorprendentes. Esta teoría sostiene que Madruga desapareció de los registros históricos después de una guerra regional en Galicia, en el mismo momento en que Colón surgió repentinamente en Portugal con una nueva identidad, experiencia náutica y conexiones que más tarde lanzarían sus viajes atlánticos. Los defensores de la teoría señalan pistas adicionales: Colón nombró más de 100 lugares en las Américas en honor a pueblos gallegos, y 80 expertos en caligrafía han concluido que el estilo de escritura de Colón es prácticamente idéntico al de Madruga. Si es cierta, esto remodelaría radicalmente la biografía aceptada de uno de los exploradores más famosos de la historia, sugiriendo que podría haber ocultado sus orígenes por supervivencia política. Aunque la teoría sigue siendo debatida, la nueva evidencia de ADN la ha impulsado más hacia el debate histórico mainstream. Una de las pistas de apoyo más extrañas es el "uso obsesivo por parte de Colón de patrones lingüísticos gallego-portugueses", incluso en notas privadas. Sus cartas contienen modismos, hábitos de ortografía y estructuras gramaticales que no coinciden con los dialectos italianos de la época, pero se alinean estrechamente con la escritura de nobles del sur de Galicia. Aún más intrigante: Colón utilizó repetidamente términos náuticos gallegos que no eran comunes en Génova ni en la Italia más amplia, pero que eran estándar entre los marineros de la región exacta donde Pedro Madruga gobernaba. Los lingüistas argumentan que esto es casi imposible de falsificar, especialmente para alguien supuestamente nacido y criado en Italia, y fortalece silenciosamente el caso de que Colón estaba ocultando un pasado ligado a los conflictos políticos de Galicia. 

© The Historian's Den

 

miércoles, 6 de agosto de 2025

Domitian's Spectacles

 From Robert Graves's translation of Suetonius's The Twelve Caesars. Domitian, the last of the twelve, was for some time an enthusiast of poetry, but later neglected it altogether and even forbade actors from appearing on the public stage at one point —perhaps in part because his wife Domitia had fallen in love with the actor Paris. (He also had a student of this actor executed because he looked like Paris). He prohibited stage lampoons of known citizens as well. But he did provide other spectacles in the Roman taste:


Domitian presented many extravagant entertainments in the Colosseum and the Circus. Besides the usual two-horse chariot races he staged a couple of battles, one for infantry, the other for cavalry; a sea-fight in the Colosseum; wild-beast hunts; gladiatorial shows by torchlight in which women as well as men took part. Nor did he ever forget the Quaestorian Games which he had revived; and allowed the people to demand a combat between two pairs of gladiators from his own troop, whom he would bring on last in their gorgeous Court livery. Throughout every gladiatorial show Domitian would chat, sometimes in very serious tones, with a little boy who had a grotesquely small head and always stood at his knee dressed in red. Once he was heard to ask the child, 'Can you guess why I have just appointed Mettius Rufus Prefect of Egypt?' A lake was dug at his orders close to the Tiber, surrounded with seats, and used for almost full-scale naval battles, which he watched even in heavy rain.

He also held Secular Games, fixing their date by Augustus's old reckoning, and ignoring Claudius's more recent celebration of them; and for the circus racing, which formed part of the festivities, reduced the number of laps from seven to five, so that 100 races a day could be run off.  In honour of Capitoline Jupiter he founded a festival of music, horsemanship, and gymnastics, to be held every five years, and awarded far more prizes than is customary nowadays. The festival included Latin and Greek public-speaking contests, competitions for choral singing to the lyre and for lyre-playing alone, besides the usual solo singing to lyre accompaniment; he even instituted foot races for girls in the Stadium.When presiding at these functions he wore buskins, a purple Greek robe, and a gold crown engraved with the images of Jupiter, Juno, and Minerva; and at his side sat the Priest of the Capitoline Jupiter and the Priest of the Deified Flavians, wearing the same costume as he did, except for crowns decorated with his image. Domitian also celebrated the annual five-day festival of Minerva at his Alban villa, and founded in her honour a college of priests, whose task it was to supply officers, chosen by lot, for producing lavish wild-beast hunts and stage plays, and sponsoring competitions in rhetoric and poetry.

(The Twelve Caesars, p. 308)

viernes, 29 de septiembre de 2023

Farsa compuesta y trovada

 

La conspiración de Paulo contra el rey Wamba en la Septimania—la Cataluña de la época— según la Historia de España del Padre Mariana. Amaños electorales, propaganda falsaria y manipulación de la opinión pública, en el siglo siete—o en el veintisiete:

 

Muchos andaban descontentos del  estado y gobierno y de aquella eleccion; y como gente parcial no querian obedecer á Wamba ni recebille por rey. Comunicaron el negocio entre sí, y acordaron de rebelarse y tomar las armas. Hilperico, conde de Nimes en Francia, fue el primero á declararse, confiado en la distancia de los lugares y por ser hombre poderoso en riqueza y aliados. Allegáronsele Gumildo, obispo de Magalona, ciudad comarcana, y un abad llamado Remigio. Procuraron atraer á su parcialidad al obispo de Nimes, llamado Aregio; y como en ninguna manera se dejase persuadir, le despojaron de su dignidad y enviaron en destierro á lo mas adentro de Francia, y pusieron en su lugar al abad Remigio. Procedíase en todo arrebatadamente sin órden de derecho y sin tener cuenta con las leyes, en tanto grado, que á los mismos judíos que de tiempo atrás echaran de toda la juridicion y señorío de los godos, llamaron de Francia en su socorro. Para sosegar 4estas alteraciones Paulo fué sin dilación nombrado por capitan por su grande prudencia y destreza que tenia en las armas. Diéronle la gente que pareció seria bastante para aquella empresa y para sosegar los alborotados. Sucedió todo al revés de lo que pensaban, ca Paulo con aquella ocasion se determinó de descubrir la ponzoña y deslealtad que tenia encubierta en su pecho. Hizo marchar la gente muy de espacio, con que se dió lugar al enemigo para apercebirse y fortificarse. El mismo, tambien de secreto, comunicaba con los godos principales en qué manera se podria levantar. Para lo uno y para lo otro era muy á propósito la tardanza y el entretenerse. Así, de camino ganó las voluntades de Ranesindo, duque tarraconense, y de Hidigiso, gardingo, que era nombre de autoridad y de magistrado y dignidad semejante á la de los duques y condes, como si dijésemos adelantado ó merino. El uno y el otro eran personas muy principales, con cuya ayuda y por su consejo se apoderó de Barcelona, de Girona y de Vique, ciudades puestas en la entrada de España por la parte de Cataluña. Acrecentáronse con esto las fuerzas desta parcialidad de levantados. Trataron de pasar á Francia con intento de juntar sus fuerzas con las de Hilderico, con que confiaban serian bastantes para resistir al Rey. Argebaudo, arzobispo de Narbona, al principio pretendió cerrar las puertas de su ciudad á los conjurados. Anticipáronse ellos tanto, que el Arzobispo fué forzado acomodarse al tiempo y dar muestra de juntarse con ellos, mas por falta de ánimo que por aprobar lo que los alevosos trataban. Entrado Paulo en aquella ciudad, hizo junta de ciudadanos y soldados, y en ella reprehendió primeramente al Arzobispo, que temerariamente pretendió cerrar las puertas á los que habían servido mucho á la república, y no trataban de hacerle algun mal y daño. Despues desto, declaró las causas por donde entendia que con buen título podia tomar las armas contra Wamba, que fuera hecho rey, no conforme á las leyes ni con buen órden y traza, sino al antojo de algunos pocos, al cual cuando se da lugar, no el consentimiento comun prevalece, sino la fuerza y atrevimiento. Concluyó con decir seria conveniente y cumplidero proceder á nueva eleccion y conforme á las leyes nombrar un nuevo rey, á quien todos obedeciesen, y con cuyo amparo, fuerzas y consejos hiciesen rostro á los que á Wamba favoreciesen. Ranosindo, á  voces para que todos le oyesen, dijo que él no conocia persona mas á propósito ni mas digno del nombre de rey que el mismo Paulo; que fué representar en público la farsa que entre los dos de secreto tenian compuesta y trovada. Muchos de los parciales de propósito estaban derramados y mezclados entre la muchedumbre; estos con gran gritería acudieron luego á aquel parecer; los cuerdos y que mejor sentian callaron y disimularon, ca no les cumplia el hacer en tan gran revuelta y alteracion. Con tanto, Paulo fué declarado y elegido por rey; pusiéronle en la cabeza una corona que el rey Recaredo ofreció á San Félix, mártir de Girona. Era tanto el calor de aquella rebelion, y tan encendido el deseo de  llevar adelante lo comenzado, que todo lo atrpellaban; y no solo se apoderaban de las riquezas profanas, oro y plata del público y de particulares, sino tambien extendian sus manos sacrílegas á los tesoros sagrados y á despojar los templos de Dios de sus vasos y preseas. Allegóse á este parecer fácilmente Hilperico, conde de Nimes, el primero que fue á levantarse, y con él se les juntaron todas las ciudades de la Gallia Gótica.

lunes, 28 de agosto de 2023

Caligula's Theatrical Antics

 From Suetonius' The Twelve Caesars:

  

Caligula paid no attention to traditional or current fashions in his dress; ignoring male conventions and even the human decencies. Often he made public appearances in a cloak covered with embroidery and encrusted with precious stones, a long-sleeved tunic and bracelets; or in silk (which men were forbidden by law to wear) or even in a woman's robe; and came shod sometimes with slippers, sometimes with buskins, sometimes with military boots, sometimes with women's shoes. Occasionally he affected a golden beard and carried Jupiter's thunderbolt, Neptune's trident, or Mercury's serpent-twined staff. He even dressed up as Venus and, long before his expedition, wore the uniform of a triumphant general, often embellished with the breastplate which he had stolen from Alexander the Great's tomb at Alexandria.

Though no man of letters, Caligula took pains to study rhetoric, and showed remarkable eloquence and quickness of mind, especially when prosecuting. Anger incited him to a flood of words; he moved about excitedly while speaking, and his voice carried a great distance.  At the start of every speech he would warn the audience that he proposed to 'draw the sword which he had forged in his midnight study;' yet so despised all rhetorical style that he discounted Seneca, then at the height of his fame, as a 'mere text-book orator', or 'sand without lime'. He often published confutations of speakers who had successfully pleaded a cause; or composed speeches for both the prosecution and the defence of important men who were on trial by the Senate —the verdict depending entirely on the caprice of his pen— and would invite the Knights by proclamation to attend and listen.

Caligula practised many other arts, most enthusiastically, too. He made appearances as a Thracian gladiator, as a singer, as a dancer, fought with real weapons, and drove chariots in many regional circuses. Indeed, he was so proud of his voice and deportment that he could not resist the temptation of supporting the tragic actors and public performances; and would repeat their gestures by way of praise or criticism. On the very day of his death he seems to have ordered an all-night estival in honour of some god or other, intending to take advantage of the free-and-easy atmosphere for making his stage debut. He often danced at night, and once, at the close of the second watch, summoned three senators of consular rank to the Palace; arriving half-dead with fear, they were conducted to a stage upon which, amid a tremendous racket of flutes and heel-taps, Caligula suddenly burst, dressed in cloak and ankle-length tunic, performed a song and dance, and disappeared as suddenly as he had entered. Yes, with all these gifts, he could not swim a stroke!

On those whom he loved he bestowed an almost insane passion. He would shower kisses on Mnester, the comedian, even in the theatre; and if anyone made the slightest noise during a performance, Caligula had the offender dragged from his seat and beat him with his own hands. To a knight who created some disturbance while Mnester was on the stage, Caligula sent instructions by a centurion to sail from Ostia and convey a sealed message to King Ptolemy in Mauretania. The message read: 'Do nothing at all, either good or bad, to the bearer'. 

He chose Thracian gladiators to officer his German bodyguard. Disliking the men-at-arms, he reduced their defensive armour; and when a gladiator of this sort, called Columbus, won a fight but was lightly wounded, Caligula treated him with a virulent poison which he afterwords called 'Columbinum' —at any rate that was how he described it in his catalogue of poisons. Caligula supported the Leek-green faction with such ardour that he would often dine and spend the night in their stables and, on one occasion, gave the driver Dutychus presents worth 20,000 gold pieces. To prevent Incitatus, his favourite horse, from growing restive he always picketed the neighbourhood with troops on the day before the races, ordering them to enforce absolute silence. Incitatus owned a marble stable, an ivory stall, purple blankets, and a jewelled collar; also a house, furniture, and slaves —to provide suitable entertainment for guests whom Caligula invited in its name. it is said that he even planned to award Incitatus a consulship.

Such frantic and reckless behaviour roused murderous thoughts in certain minds. One or two plots for his assassination were discovered; others were still maturing, when two Guards colonels put their heads together and succeeded in killing him, thanks to the cooperation of his most powerful freedmen and some other Guards officers. Both these colonels had been accused of being implicated in a previous plot and, although innocent, realized that Caligula hated and feared them. Once, in fact, he had subjected them to public shame and suspicion, taking them aside and announcing as he waved a sword, that he would gladly kill himself if they thought him deserving of death. After this he accused them again and again, each to the other, and tried to make bad blood between them. At last they decided to kill him about noon at the conclusion of the Palatine Games, the principal part in this drama of blood being claimed by Cassius Chaerea. Caligula had persistently teased Cassius, who was no longer young, for his supposed effeminacy. Whenever he demanded the watchword, Caligula used to give him 'Priapus' or 'Venus'; and if he came to acknowledge a favour, always stuck out his middle finger for him to kiss, and waggled it obscenely. 

Many omens of Caligula's approaching death were reported. While the statue of Olympian Jupiter was being dismantled before removal to Rome, at his command, it burst into such a roar of laughter that the scaffolding collapsed and the workmen took to their heels; and a man named Cassius  appeared immediately afterwards saying that Jupiter had ordered him, in a dream, to sacrifice a bull. The Capitol at Capua was struck by lightning on the Ides of March, which some interpreted as portending another Imperial death; because Julius Caesar had been murdered on that day. At Rome, the Palace gatekeeper's lodge was likewise struck; and this seemed to mean that the owner of the Palace stood in danger of attack by his own guards. On asking Sulla the mathematician for his horoscope, Caligula learned that he must expect to die very soon. The Oracle of Fortune at Antium likewise warned him: 'Beware of Cassius!' whereupon, forgetting Chaerea's first name, he ordered the murder of Cassius Longinus, Governor of Asia. On the night before his assassination he dreamed that he was standing beside Jupiter's heavenly throne, when the God kicked him with the great toe of his right foot and sent him tumbling down to earth. Some other events that occurred on the morning of his death were read as portents. For instance, blood splashed Caligula as he was sacrificing a flamingo; Mnester danced the same tragedy of Cinyras that had been performed by the actor Neoptolemus during the Games at which King Philip of Macedonia was assassinated; and a pantomomime called Laureolus, at the close of which the leading character, a highwayman, had to die while escaping, and vomit blood, was immediately followed by a humourous epilogue —the comedians were so anxious to display their proficiency at dying that they flooded the stage with blood. An evening performance by Egyptians and Ethiopians was also in rehearsal: a play staged in the Underworld.

On 24 January then, just past midday, Caligula, seated in the Theatre, could not make up his mind whether to rise for luncheon; he still felt a little queasy after too heavy a banquet on the previous night. However, his friends persuaded him to come out with them, along a covered walk; and there he found some boys of noble family whom he had summoned from Asia, rehearsing the Trojan war-dance. He stopped to watch and encourage them, and would have taken them back to the Theatre and held the performance at once, had their principal not complained of a cold. Two different versions of what followed are current. Some say that Chaerea came up behind Caligula as he stood talking to the boys and, with a cry of 'Take this!' gave him a deep sword-wound in the neck, whereupon Gaius Sabinus, the other colonel, stabbed him in the breast. The other version makes Sabinus tell certain centurions implicated in the plot to clear away the crowd and then ask Caligula for the day's watchword. He is said to have replied: 'Jupiter', whereupon Chaerea, from his rear, yelled: 'So be it!' —for Jupiter deals sudden death— and split his jawbone as he turned his head. Caligula lay twitching on the ground. 'I am still alive!' he shouted; but word went round: 'Strike again!' and he succumbed to further wounds, including swordthrusts through the genitals. Caesonia was murdered by a centurion at the same time, and little Julia Drusilla's brains were dashed out against a wall. Caligula's bearers rushed to help him, using their litter-poles as spears; and soon his German bodyguard appeared, too late to be of any service, though they killed several of the assassins and a few innocent senators into the bargain.

He died at the age of twenty-nine after ruling for three years, ten months and eight days. His body was moved secretly to tha Lamian Gardens, half-cremated on a hastily-built pyere, and then buried  beneath a shallow covering of sods. Later, when his sisters returned from exile they exhumed, cremated, and entombed it. But all the City knew that the Gardens had been haunted until then by his ghost, and that something horrible appeared every night at the scene of the murder until at last the building burned down.

The terror inspired by Caligula's reign could be judged by the sequel: everyone was extremely reluctant to believe that he had really been assassinated, and suspected that the story was invented by himself to discover what people thought of him.

 

 



viernes, 25 de septiembre de 2020

Turkish Serials & History

 

Erol Isik, Nuran. "Evaluating Narrativization Practices in Turkish TV Serials as a Venue of Popular Historiography." Türkiye İletişim Araştırmaları Dergisi 34 (2019): 183-95. (Resurrection, You Are My Homeland, Yunus Emre).

         DOI 10.17829/turcom.518871

         Online at Academia.*

         https://www.academia.edu/42688954/

         2020


The Spectacular Politics of JULIUS CAESAR

An audio introduction, by a friendly Artificial Intelligence, to one of my papers on Shakespeare's theatre deriving from my reading of...