A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Semiotics of Drama and Theatre
Alter, Jean. A Socio-Semiotic Theory of Theatre. Philadelphia: U of Pennsylvania P, 1990.
Aston, Elaine, et al., eds. Interazione dialogo convenzione: il caso del testo dramatico. Bologna: CLUEB, 1983.
Aston, Elaine, and George Savona. Theatre as Sign System: A Semiotics of Text and Performance. London: Routledge, 1991.
Bamberg, Michael. "Actions, Events, Scenes, Plots and the Drama.: Language and the Constitution of Part-whole Relationships." Language Sciences 16 (1994): 39-79.
Barry, Jackson. Art, Culture and the Semiotics of Meaning: Culture's Changing Signs of Life in Poetry, Drama, Painting and Sculpture. Houndmills: Macmillan, 1999.
Bennison, Neil. "Discourse Analysis, Pragmatics and the Dramatic 'Character': Tom Stoppard's Professional Foul." Language and Literature 2.2 (1994): 79-100.
Besbes, Khaled. The Semiotics of Beckett's Theatre: A Semiotic Study of the Complete Dramatic Works of Samuel Beckett. Boca Raton (FL): Universal Publishers, 2007.*
https://www.academia.edu/37796852/
2018
Бессмертнова С. В. (Svetlana Vladimirovna Bessmertnova). ("Semiotic Aspects of Bertold Brecht's Drama.") In СЕМИОСФЕРА НАРРАТОЛОГИИ: ДИАЛОГ ЯЗЫКОВ И КУЛЬТУР / Semiosphere of Narratology: A Dialogue of Languages and Cultures. Ed. Ludmila Tataru and José Angel García Landa. Balashov: Nikolayev, 2013. 132-41.*
Bobes Naves, Mª del Carmen. Semiología de la obra dramática. Madrid: Taurus, 1987.
_____. Estudios de semiología del teatro. Valladolid: Aceña, 1988.
Bogatyrev, Petr. "Kroj jako znak." Slovo a sovesnost 2 (1936): 43-47.
_____. "Costume as a Sign." Trans. Y. Lockwood. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 13-19.
_____. "Znaky divadeini." Slovo a slovesnost 4 (1938): 138-49.
_____. Lidové divadlo çeské a slovenské. Prague, 1940. Select. (9-29) in Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. Trans. B. Kochis. 51-56.
_____. "Semiotics in the Folk Theater." Trans. B. Kochis. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976.33-50.
_____. "Le signe dans le théâtre." Poétique 8 (1971): 517-30.
Brußák, Karel. "Znaky na çinském divadle." Slovo a slovesnost 5 (1939).
_____. "Signs in the Chinese Theater." trans. K. Brußak. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 59-73.
Burns, Elizabeth. Theatricality: A Study of Conventions in the Theatre and in Social Life. London: Longman, 1972.
Carlson, Marvin. Places of Performance: The Semiotics of Theatre Architecture. Ithaca: Cornell UP, 1989.
_____. Theatre Semiotics: Signs of Life. Bloomington: Indiana UP, 1990.
Chambers, Ross. "Le masque et le miroir: Vers une théorie relationnelle du théâtre." Etudes littéraires 13.3 (1980) 397-412.
Chapple, Freda and Chiel Kattenbelt, eds. Intermediality in Theatre and Performance. Amsterdam and New York: Rodopi, 2006.
Claycomb, Ryan. "Here's How You Produce This Play: Towards a Narratology of Dramatic Texts." Narrative 21.2 (May 2013): 159-79.*
Constantinidis, Stratos. "Theatrical Semiosis and Problems of its Notation." Koidikas/Code: Ars Semeiotica 8.1-2 (January-April 1985).
DeCoursey, Matthew. "Making Meaning in the Theatre: Double Noesis." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 269-82.*
Díez Borque, José María, and Luciano García Lorenzo, eds. Semiología del teatro. Barcelona: Planeta, 1975.
Eco, Umberto, ed. "Paramètres de la sémiologie théâtrale." In Sémiologie de la représentation. Ed. André Helbo. Brussels: Complexe, 1975. 110-35.
_____. "Semiotics of Theatrical Performance." Drama Review 21 (1977): 107-17.
Elam, Keir. The Semiotics of Theatre and Drama. London: Methuen, 1980.
_____. The Semiotics of Theatre and Drama. 2nd ed. (New Accents). London: Routledge, 2002.* (available in electronic edition).
_____. "The Semiotics of Theatre and Drama." In Semiotics. Ed. Karin Boklund-Lagopoulou, Alexandros Lagopoulos and Mark Gottdiener. London: SAGE, 2002. Vol. 3.
_____. "Semiotics of Theatrical Performance." Drama Review 21 (1977): 107-17.
Ertel, Evelyne. "Elements pour une sémiologie du théâtre." Travail théâtral 28-29 (1977): 121-50.
Fischer-Lichte, Erika. The Semiotics of Theatre. 1983. Trans. Jeremy Gaines and Doris L. Jones. (Advances in Semiotics). Bloomington: Indiana UP, 1992.*
Floch, Jean-Marie. "Sémiotique visuelle et statuts sémiotiques des éléments visuels du discours théâtral." Degrés 13 (1978): 39-57.
Fludernik, Monika. "Narrative and Drama." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 355-83.*
Fortier, Mark. "1. Theatre, Life and Language: Semiotics, Phenomenology and Deconstruction." In Fortier, Theory/Theatre: An Introduction. 3rd ed. London: Routledge, 2016. 13-64.*
Fuchs, Elinor. "The Theatre after Derrida." Performing Arts Journal 26/7 (1985): 163-73.
_____. "Signaling through the Signs." In Fuchs, The Death of Character: Perspectives on Theater after Modernism. Bloomington: Indiana UP, 1996. 69-91.*
García Landa, José Angel. "Glass Prospective." In García Landa, Vanity Fea 29 Aug. 2014.* (Frames; Robert Greene's Friar Bacon and Friar Bungay).
http://vanityfea.blogspot.com.es/2014/08/glass-prospective.html
2014
_____. "Glass Prospective: La televisión medieval en el teatro isabelino." Ibercampus 6 Sept. 2014.*
http://www.ibercampus.info/la-television-medieval-en-el-teatro-isabelino-28484.htm
2014
García Templado, José. La función poética y el teatro de vanguardia. Murcia: Ediciones 23-27/Cátedra de Teatro de la Universidad de Murcia, 1978.*
Gibinska, M. The Functioning Language in Shakespeare's Plays: A Pragma-Dramatic Approach. Krakow: Uniwersytet Jagiellonski, 1987.
Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience. New York: Harper and Row, 1974.
_____. Frame Analysis. New York: Harper-Colophon.
_____. Frame Analysis: An Essay on the Organization of Experience. Foreword by Bennett M. Berger. Boston: Northeastern UP, 1986.*
Gutiérrez Flórez, Fabián. Teoría y praxis de semiótica teatral. Valladolid, 1993.
Hamburger, Käte. "La ficción dramática." In Hamburger, La lógica de la literatura. (2nd ed., 1977). Madrid: Visor, 1995. 132-46.*
Hennaut, Benoît. (Université Libre de Bruxelles and Paris). "Narratologie et écritures théâtrales: Quel dialogue possible?" Cahiers de narratologie 24 (2013): 1-19.*
http://narratologie.revues.org/6669
2014
http://journals.openedition.org/narratologie/6669
DOI : 10.4000/narratologie.6669
Online at Semantic Scholar.*
http://pdfs.semanticscholar.org/a246/afe47f4afee795ead9e3eb78ae1f98434fe0.pdf
2021
Hidalgo Tenorio, Encarnación. "La teoría de los modelos mentales y el fenómeno de la recepción dramática." Cuadernos de Filología Inglesa 6.2 (1997): 81-112.*
Honzl, Jindrich. "Pohyb divadelního znaku." Slovo a slovesnost 6 (1940): 177-88.
_____. "Dynamics of the Sign in the Theater." Trans. I. R. Titunik. In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976.74-93.
_____. "Hierarchie divadelních prostredku." Slovo a slovesnost 9 (1943): 187-93.
_____. "The Hierarchy of Dramatic Devices." In Semiotics of Art: Prague School Contributions. Ed. Ladislav Matejka and Irwin R. Titunik. Cambridge (MA): MIT Press, 1976. 118-27.
Horstmann, Jan. Theaternarratologie. (Narratologia, 64). Berlin and Boston: de Gruyter, 2018.* (Scenery, semiotics of drama, performance, space, perspective; Roland Schimmelpfennig, Der Goldene Drache, 2009; Nicolas Stemann, Faust; Jette Steckel, Der Fremde; Bastian Kraft, Orlando).
Ingarden, Roman. "The Functions of Language in the Theater". In The Literary Work of Art . Evanston: Northwestern UP, 1973. 375-396. Trans. of "Von den Funktionen der Sprache im Theaterschauspiel." Zagazdenia rodzajów literackich 1 (Lodz, 1958): 65-91.
Jahn, Manfred. "Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama." New Literary History 32.3 (Summer 2001): 659-679. Online at Scribd:
http://es.scribd.com/doc/142349049/
2013
Online at Project Muse.*
https://doiorg/10.1353/nlh.2001.0037
Online at Academia.*
https://www.academia.edu/32026815/
2021
Kesteren, A. van, and M. Schmidt, eds. Semiotics of Drama and Theatre. Amsterdam: J. Benjamins, 1984.
Kowzan, Tadeusz. "The Sign in the Theatre." Diogenes 61 (1968): 52-80.
Larsen, Svend Erik. "Body, Space, and the Sign." Gramma 2 (1994): 77-92.*
Lotman, Iuri M. "El lenguaje teatral y la pintura (Contribución al problema de la retórica icónica)." In Lotman, La Semiosfera, III: Semiótica de las artes y de la cultura. Madrid: Cátedra / Universitat de València, 2000. 85-96.*
Mages, Wendy K. "Drama and Imagination: A Cognitive Theory of Drama's Effect on Narrative Comprehension and Narrative Production." Research in Drama Education 11.3 (2006): 329-40.
Maguire, Tom. Performing Story on the Contemporary Stage. Basingstoke: Palgrave Macmillan, 2015.*
Marinis, Marco de. "Problemi e aspetti di un aproccio semiotico al teatro." Lingua e Stile 10 (1975): 343-57.
_____. Semiotica del teatro. Milan: Bompiani, 1982.
Meerzon, Yana. "Russian Formalists' Views of Film and Theater Interdependence." In Slavische Erzähltheorie: Russische und tschesische Ansätze. Ed. Wolf Schmid. Berlin and New York: De Gruyter, 2009. 239-72.* (Semiotics of drama and film).
Melrose, Susan. A Semiotics of the Dramatic Text. Basingstoke: Macmillan, 1993.
Nieto García, Jesús Manuel. "Some Reflections on the Analysis of Discourse and Dramatic Text." Revista Alicantina de Estudios Ingleses 8 (November 1995): 161-76.*
Nünning, Ansgar, and Roy Sommer. "Diegetic and Mimetic Narrativity: Some Further Steps towards a Narratology of Drama." In Theorizing Narrativity. Ed. John Pier and José Ángel García Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 331-54.*
Pérez Bowie, José Antonio. "Sobre Pragmática del texto teatral: el 'hablante dramático básico' en el teatro de Alfonso Sastre." In Estudios Filológicos en homenaje a Eugenio de Bustos Tovar. Ed. José Antonio Bartol et al. Salamanca: Ediciones Universidad de Salamanca, 1992.* 733-48.
Pérez López, Héctor Julio. "Los tres cuerpos de la narración: Una poética cognitivista de la interpretación actoral." L'Atalante 19 (2015): 17-26. Online at Academia.*
https://www.academia.edu/11723400/
2020
Pérez Pérez, M. C., ed. Los géneros literarios: Curso superior de narratología: Narratividad-dramaticalidad. 1997.
Prince, Albert. "Dramatic Speech Acts: A Reconsideration." In Rivers 1986. 147-58.
Redling, Ellen. Rev. of Tom Maguire, Performing Story on the Contemporary Stage. JCDE 4.2 (2018): 476-80.*
DOI 10.1515/jcde-2016-0037
http://archiv.ub.uni-heidelberg.de/volltextserver/25047/1/jcde-2016-0037.pdf
2021
Rodríguez Pequeño, Mercedes. "Semiología dramática." In Rodríguez Pequeño, Teoría de la literatura eslava. Madrid: Síntesis, 1995. 207-19.*
Romera Castillo, José. "Crítica semiótica del teatro del Siglo de Oro en España." In Estado actual de los estudios sobre el Siglo de Oro. Ed. Manuel García Martín et al. Salamanca: Ediciones Universidad de Salamanca, 1993. 2.869-78.*
_____. "Hacia un estado de la cuestión sobre teatro y nuevas tecnologías en España." Signa 17 (2008): 17-28.
http://descargas.cervantesvirtual.com/servlet/SirveObras/56814067650125008921457/029455.pdf?incr=1
2015
Rossi-Landi, Ferruccio. "Acción social y procedimiento dialéctico en el teatro." In Rossi-Landi, Semiótica y estética. Buenos Aires: Nueva Visión, 1976. 39-52.*
Ruffini, Franco. "Semiotica del teatro: ricognizione degli studi." Biblioteca teatrale 9 (1974): 34-81.
Savona, Jeannette Laillou. "Narration et actes de parole dans le texte dramatique." Etudes littéraires 13.3 (1980): 471-93.
Schwanecke, Christine. "2. Rising Action: Towards a Narratology of Drama." A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 35-56.*
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Segre, Cesare. "A Contribution to the Semiotics of Theatre." Poetics Today 1 (1980): 39-48.
Semiología del teatro. Special issue of Theatralia. Ed. Jesús G. Maestro. (1996).
Serpieri, Alessandro. I sonetti dell'immortalità. Milan: Bompiani, 1975.
_____. "Ipotesi teorica di segementazione del testo teatrale." Strumenti critici 32/33 (Turin: Einaudi, 1977).
_____, ed. Come comunica il teatro: dal testo alla scena. Milan: Il Formichiere, 1978.
Schechner, Richard, and Cynthia Mintz. "Kinesics and Performance." Drama Review 17 (1973): 102-8.
Short, Mick. "Discourse Analysis and Drama." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*
Stern, Daniel N. "On Kinesic Analysis." Drama Review 17 (1973): 114-31.
Talens, Jenaro, José Romera Castillo, Antonio Tordera and Vicente Hernández Esteve. Elementos para una semiótica del texto artístico (poesía, narrativa, teatro, cine). 3rd ed. Madrid: Cátedra, 1983.*
Tordera Sáez, Antonio. "Teoría y técnica del análisis teatral." In Elementos para una semiótica del texto artístico. By Jenaro Talens et al. 4th ed. Madrid: Cátedra, 1988. 157-200.*
Trapero, A. Patricia. Introducción a la semiótica teatral. Palma de Mallorca, 1989.
Ubersfeld, Anne. Lire le théâtre.
_____. Semiótica teatral. Ed. and trans. by Francisco Torres of Lire le théâtre. Madrid: Cátedra / U de Murcia, 1989. 2nd ed. 1994.
Urmson, James O. "Dramatic Representation." Philosophical Quarterly 22 (1972): 333-43.
Veltrusky, Jiri. "Man and Object in the Theater." In A Prague School Reader on Esthetics, Literary Structure, and Style. Ed. and trans. Paul L. Garvin. Washington, D. C.: Georgetown UP, 1964. 83-92.*
Weidle, Roland. "Organizing the Perspectives: Focalization and the Superordinate Narrative System in Drama and Theater." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 221-42.*
West, William N. "Repeating Staging Meaning between Freud and Aristotle." SubStance 89 (1999): 138-58
Bibliography
"Curriculum Vitae (publicaciones) del profesor José Romera Castillo sobre teatro." In Cartografía Teatral en homenaje al profesor José Romera Castillo. Ed. G. Laín Corona and R. Santiago Nogales. Ed. G. Laín Corona and R. Santiago Nogales. Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
"Publicaciones del Centro de Investigación de Semiótica Literaria, Teatral y Nuevas Tecnologías." In Teatro, (auto)biografía y autoficción (2000-2018) en homenaje al profesor José Romera Castillo (Tomo III). Ed. G. Laín Corona and R. Santiago Nogales. Madrid: Visor, 2018.
Video
Ricks, Christopher. "The Medium of Drama Is Not Words." Videolecture. YouTube (New College of the Humanities) 9 Dec. 2015.*
2016
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