from
A Bibliography of Literary Theory, Criticism and Philology
by José Ángel García Landa
(University of Zaragoza, Spain)
Renaissance English drama (1500-1660)
General
Early works
Miscellaneous
General
Anglo, Sydney. Spectacle, Pageantry, and Early Tudor Policy. Oxford, 1969.
Alexander, Michael. "4. Shakespeare and the Drama." In Alexander, A History of English Literature. 2nd ed. Houndmills: Palgrave Macmillan, 2007. 107-37.*
Bentley, Gerald Eades. The Jacobean and Caroline Stage. 7 vols. Oxford: Clarendon, 1941-68.
Bevington, David. "14. Literature and the Theatre." In The Cambridge History of Early Modern English Literature. (3. The Era of Elizabeth and James VI). Ed. David Loewenstein and Janel Mueller. Cambridge: Cambridge UP, 2002. 2004. 428-56.*
Blamires, Harry. "Elizabethan Drama." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 40-63.*
_____. "Jacobean Drama." In Blamires, A Short History of English Literature. 2nd ed. London: Routledge, 1989. 64-80.*
Braunmuller, A. R., and Michael Hattaway, eds. The Cambridge Companion to English Renaissance Drama. Cambridge: Cambridge UP, 1990. 2nd ed. Cambridge: Cambridge UP, 2003.
Breight, Curtis. Surveillance, Militarism and Drama in the Elizabethan Era. Houndmills: Macmillan, 1996.
Bristol, Michael D. Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance England. London: Methuen, 1985.
_____. Carnival and Theatre: Plebeian Culture and the Structure of Authority in Renaissance Britain. London: Routledge, 1990.
Brown, John Russell, and Bernard Harris, eds. Jacobean Theatre. (Stratford-upon-Avon Studies, 1). London: Arnold, 1960.
_____, eds. Jacobean Theatre. New York, 1967.
_____, eds. Elizabethan Theatre. London: Arnold, 1974.
Bulman, James. (Allegheny College, Meadville, Pennsylvania). "10. Caroline Drama." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003.*
Burster, Douglas. Quoting Shakespeare: Form and Culture in Early Modern Drama. Lincoln: U of Nebraska P, 2001.
Butler, M. Theatre and Crisis 1632-1642. Cambridge: Cambridge UP, 1984.
_____. "19. Literature and the Theatre to 1660." In The Cambridge History of Early Modern English Literature. (4. The Earlier Stuart Era). Ed. David Loewenstein and Janel Mueller. Cambridge: Cambridge UP, 2002. 2004. 565-602.*
Chambers, Edmund K. The Elizabethan Stage. 4 vols. Oxford: Clarendon, 1923.
Clark, Eva Turner. "Elizabethan Stage Scenery More Elaborate Than Ordinarily Believed." Shakespeare Fellowship Newsletter (American Branch) (Oct. 1941). Rpt. in Shakespeare-Oxford.
http://www.shakespeare-oxford.com/?p=65
2007
Cohen, Walter. The Drama of a Nation: Public Theater in Renaissance England and Spain. Ithaca: Cornell UP, 1985.
Cotton, Nancy. Women Playwrights in England c. 1363-1750. Associated UPs, 1980.
Cox, John D., and David Scott Kastan, eds. A New History of Early English Drama. Foreword by Stephen Greenblatt. New York: Columbia UP, 1998.
Daiches, David. "Drama from the Miracle Plays to Marlowe." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 208-45.*
_____. "Drama from Jonson to the Closing of the Theatres." In Daiches, A Critical History of English Literature. 2 vols. London: Secker and Warburg, 1960. 309-45.*
Dawson, Anthony B. "The Impasse over the Stage." English Literary Renaissance (1991): 309-327.
_____. "The Theatre in Elizabethan Culture," special introduction for Ardenonline (1998).
Díaz Fernández, José Ramón, Luciano García García, José Manuel González Fernández de Sevilla and Purificación Ribes. "El teatro inglés de la primera parte del siglo XVII hoy." In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*
DiGangi, Mario. The Homoerotics of Early Modern Drama. Cambridge: Cambridge UP, 1997.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Brighton: Harvester, 1984; Hemel Hempstead: Harvester Wheatsheaf, 1989.
_____. From Radical Tragedy. In Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. 3rd ed. London: Arnold, 1996. 159-72.*
Doran, Madeline. Endeavors of Art: A Study of Form in Elizabethan Drama. Madison: U of Wisconsin P, 1954.
Eliot, T. S. "Four Elizabethan Dramatists." 1924. In Eliot, Selected Essays. 3rd. ed. London: Faber, 1951. 109-17.
_____. Essays on Elizabethan Drama. New York, 1936.
_____. Essays on Elizabethan Drama. 1960. (? = Elizabethan Dramatists. London: Faber)
_____. Elizabethan Essays. London: Faber, 1934.
Enright, D. J. "Elizabethan and Jacobean Comedy." In The Age of Shakespeare. Vol. 2 of The New Pelican Guide to English Literature. Ed. Boris Ford. Harmondsworth: Penguin, 1982. Rev. 1993. 471-83.*
Finke, Laurie A. "Painting Women: Images of Femininity in Jacobean Tragedy." Theatre Journal 36 (1984): 357-70.
Foakes, R. A. "Playhouses and Players." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. Cambridge: Cambridge UP, 1990. 1-52.
Gillies, John, and Virginia Mason Vaughan. Astrophil and Stella and Love's Labor's Lost." In Playing the Globe: Genre and Geography in English Renaissance Drama. Madison (NJ): Fairleigh Dickinson UP, 1998.
González Fernández de Sevilla, José Manuel. "Political Strategies of Drama in Renaissance England." Actas del I Congreso Nacional de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI) / Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies. Ed. Javier Sánchez. Zaragoza: SEDERI, 1990. 95-104.*
Goodblatt, Chanita. Jewish and Christian Voices in English Reformation Biblical Drama: Enacting Family and Monarchy. (Routledge Studies in Renaissance Literature and Culture). London and New York: Taylor and Francis-Routledge, 2018.*
https://books.google.es/books?id=tClKDwAAQBAJ
2018
Greenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York and London: Norton, 2004.*
Gurr, Andrew. The Shakespearean Stage, 1574-1642. 3rd ed. Cambridge: Cambridge UP, 1992.*
_____. Playgoing in Shakespeare's London. Cambridge: Cambridge UP, 1987. 2nd ed. 1996.*
Harbage, Alfred. Cavalier Drama. Philadelphia, 1936.
Harrison, G. B. Elizabethan Plays and Players.
Hidalgo, Pilar. "Social Energy and Renaissance Drama." In Hidalgo, Paradigms Found: Feminist, Gay, and New Historicist Readings of Shakespeare. Amsterdam and Atlanta: Rodopi, 2001. 99-126.*
Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1993.
_____. Theater of a City. Forthcoming 1999. (Early 17th drama).
Hunter, G. K. English Drama 1586-1642: The Age of Shakespeare. Vol. VI of The Oxford History of English Literature. Oxford: Clarendon Press, 1997. Rpt. 2008.* (Orig. English Drama 1586-1642: Shakespeare and His Age, numbered vol. IV part 2).
Ingram, William. The Business of Playing: The Beginnings of the Adult Public Theater in Elizabethan London. 1992.
Jardine, Lisa. Still Harping on Daughters: Women and Drama in the Age of Shakespeare. Hemel Hempstead: Harvester Wheatsheaf, 1989.
Kamps, Ivo. Staging History: Historiography, Ideology, and Literary Form in the Stuart Drama. Forthcoming 1995.
Kastan, D., and P. Stallybrass, eds. Staging the Renaissance: Reinterpretations of Shakespearean and Jacobean Drama. Durham (NC): Duke UP, 1991.
Kaufmann, R. J., ed. Elizabethan Drama. Oxford: Oxford UP, 1961.
Kinney, Arthur F., ed. A Companion to Renaissance Drama. (Blackwell Companions to Literature and Culture). Wiley-Blackwell, 2004.
Klein, David. Literary Criticism from the Elizabethan Dramatists; repertory and Synthesis. Foreword J. E. Spingarn. New York: Sturgis and Walton, 1910.
Knights, L. C. Drama and Society in the Age of Jonson. London: Chatto & Windus, 1937.
_____. Drama and Society in the Age of Jonson. London: Methuen, 1977.
Leech, C. and T. W. Craik, gen. eds. The Revels History of Drama in English. Vol. 3, 1576-1613. London: Methuen, 1975.*
Leggatt, Alexander. English Drama: Shakespeare to the Restoration, 1590-1660. (Longman Literature in English Series). London: Longman, 1988.
Legouis, Émile. "English Theatre 1520-1578." From Legouis and Cazamian's History of English Literature. In García Landa, Vanity Fea 10 Oct. 2012.*
http://vanityfea.blogspot.com.es/2012/10/english-theatre-1520-1578.html
2012
_____. "The Drama until Shakespeare." From Legouis and Cazamian's A History of English Literature. Online at Vanity Fea 15 Oct. 2019.* (Lyly, Peele, Kyd, Marlowe, Greene).
https://vanityfea.blogspot.com/2019/10/the-drama-until-shakespeare-1580-92.html
2019
Levin, Richard. New Readings vs. Old Plays: Recent Trends in the Interpretation of English Renaissance Drama. Chicago: U of Chicago P, 1979.
Long, William B. "'Precious Few': English Manuscript Playbooks." In A Companion to Shakespeare. Ed. David Scott Kastan. Oxford: Blackwell, 1999. 414-33.*
Loomba, Ania. Gender, Race, Renaissance Drama. Manchester: Manchester UP, 1989.
_____. Gender, Race, Renaissance Drama. (Oxford India Paperbacks). New Delhi: Oxford UP, 1992.
López-Peláez Casellas, Jesús. "Some Notes on the Construction of the Other in XVIIth Century English Drama." In First International Conference on English Studies: Past, Present and Future: Costa de Almería, 19-25 de Octubre, 1997. Ed. Annette Gomis et al. CD-ROM. Almería: U de Almería, n.d. [2001]*
Mann, David. The Elizabethan Player: Contemporary Stage Representation. London: Routledge, 1991.
Martínez-García, Laura, and Raquel Serrano García, eds. (Re)defining Gender In Early Modern English Drama: Power, Sexualities And Ideologies In Text And Performance. De Gruyter-MIP, 2020.
McAlindon, Tom. English Renaissance Tragedy. London: Macmillan, 1986. Rpt. 1988.*
McLuskie, Kathleen E. Renaissance Dramatists. Hemel Hempstead: Harvester Wheatsheaf, 1989.
McRae, Andrew. Renaissance Drama. (Contexts series). London: Arnold, 2003.
Mousley, Andrew. Renaissance Drama and Contemporary Literary Theory. Houndmills: Macmillan, 2000.*
Mroczkowska-Brand, Katarzyn. Overt Theatricality and the "Theatrum mundi" Metaphor in Spanish and English drama, 1570-1640. Ann Arbor: University Microfilms International, cop. 1985, print 1989.
Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1988.
Parrott, Thomas M., and Robert H. Ball. A Short View of Elizabethan Drama. New York, 1943.
Pavel, Thomas G. The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: U of Minnesota P, 1985.*
Rabkin, Norman. Drama of the English Renaissance: Volume 1: The Tudor Period. Prentice-Hall, 1976.
Rabkin, N., and R. Fraser, eds. Drama of the English Renaissance. 2 vols. New York: Macmillan, 1976.
Ricks, Christopher, ed. English Drama to 1710. London: Sphere, 1971.*
Schwanecke, Christine. "4. Stories in Conflict and Competition: Alternative Histories, Complementary Tales, and Lies in Early Modern Drama." In Schwanecke, A Narratology of Drama. Berlin and Boston: de Gruyter, 2022. 97-147. (Henry IV, Webster's The White Devil, Pericles; dissimulation)
https://doi.org/10.1515/9783110724110
https://www.degruyter.com/document/doi/10.1515/9783110724110/html
2022
Styan, J. L. "The Tudor Interlude." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 60-87.*
_____. "The Elizabethan Theatre." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 8-117.*
_____. "Jacobean Experiment: Exploding the Form." In Styan, The English Stage. Cambridge: Cambridge UP, 1996. 199-236.*
Sullivan, Garrett A., Jr., Patrick Cheney and Andrew Hadfield, eds. Early Modern English Drama: A Critical Companion. New York: Oxford UP, 2005.
Ward, A. W., and A. R. Waller, eds. The Drama to 1642, Part One.Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com
http://www.bartleby.com/215/index.html
2012-07-26
_____, eds. The Drama to 1642: Part Two. Vol. 6 (English) of The Cambridge History of English and American Literature. Online at Bartleby.com
http://www.bartleby.com/216/index.html
2012
Wells, Stanley. Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. London: Penguin, 2007.
Wickham, Glynne. "1. Stage and Drama till 1660." In English Drama to 1710. Ed. Christopher Ricks. (Sphere History of Literature in the English Language, 3). London: Sphere Books, 1971. 19-64.*
Wilson, F. P. English Drama 1485-1585. Ed. with a bibliography by G. K. Hunter. Vol. V of The Oxford History of English Literature. (orig. vol. IV part 1). Oxford: Oxford UP.
Wilson, Richard, and Richard Dutton, eds. New Historicism and Renaissance Drama. (Longman Critical Readers). London: Longman, 1994.
Wyatt, A. J. "The English Drama." (Elizabethan). In Wyatt, The Tutorial History of English Literature. 2nd ed. London: Clive, 1901. 38-71.
Early works
The Actors' Remonstrance. Pamphlet. London, 1643.
Addison, Joseph. "English Tragedy." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 210-20.*
Dibdin. History of the Stage. 19th cent.
Dryden, John. Of Dramatic Poesy: An Essay. 1668.
_____. An Essay of Dramatic Poesy. Rev. ed. 1684.
_____. An Essay on Dramatic Poesy. Ed. Thomas Arnold. Oxford: Oxford UP, 1889.
_____. Essay of Dramatic Poesy. Ed. Thomas Arnold, rev. W. T. Arnold. Oxford, 1903.*
_____. "An Essay of Dramatic Poesy." In Essays of John Dryden. Ed. W. P. Ker. Oxford: Clarendon Press, 1926.
_____. An Essay of Dramatic Poesy. In The Great Critics. Ed. J. H. Smith and E. W. Parks. New York: Norton, 1932. 255-310.*
_____. An Essay of Dramatic Poesy. In Literary Criticism: From Plato to Dryden. Ed. Gilbert. 601-58.*
_____. Of Dramatic Poesie. In Of Dramatic Poesie and Other Critical Essays. Ed. George Watson. 2 vols. London: Dent, 1962.*
_____. Of Dramatic Poesie. Ed. James T. Boulton. Oxford, 1964.
_____. Of Dramatic Poesy: An Essay. In Dryden, Selected Criticism. Ed. James Kinsley and George Parfitt. Oxford: Oxford UP, 1970. 17-76.*
_____ An Essay of Dramatic Poesy. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 249-89.*
_____. An Essay of Dramatic Poesy. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*
_____. "An Essay of Dramatic Poesy." Online at Poetry Foundation.*
http://www.poetryfoundation.org/learning/essay/237822
2015
https://www.poetryfoundation.org/articles/69377/an-essay-of-dramatic-poesy
2019
Flecknoe, Richard. "A Short Discourse of the English Stage." Preface to Love's Kingdom, a Pastoral Tragi-Comedy. 1664.
Genest, John. Some Account of the English Stage. 10 vols. Bath, 1832.
Gosson, Stephen. The School of Abuse, Conteining a Pleasaunt Invective Against Poets, Pipers, Plaiers, Iesters and Such Like Catepillers of the Commonwelth. 1579.
_____. The School of Abuse. Shakespeare Society, 1841.
_____. Schoole of Abuse. Ed. Edward Arber. (English Reprints). London: Arber, 1868. ( Incl also Short Apology).
_____. The School of Abuse. Norwood (NJ): Walter J. Johnson, 1973.
_____. The Ephemerides of Phialo ... and a short Apologie of the Schoole of Abuse. 1579. In Chambers, The Elizabethan Stage. Oxford, 1923. Vol. 4.
_____. Playes Confuted in Five Actions. London, 1581-2.
_____. Playes Confuted in Five Actions. Ed. Arthur Freeman. New York: Garland, 1972.
_____. From Playes Confuted in five Actions. 1582. In The Elizabethan Stage, by E. K. Chambers. Oxford: Clarendon, 1923. 3.213-19.
Hazlitt, William. Lectures on the Dramatic Literature of the Age of Elizabeth. 1820.
Hazlitt, William Carew, ed. The English Drama and Stage under the Tudor and Stuart Princes, 1543-1664. 1869. Rpt. New York, 1964.
Heywood, Thomas. An Apology for Actors. London: Cartwright, 1612.
_____. An Apology for Actors. London: Shakespeare Society, 1841.
_____. An Apology for Actors. Select. in Literary Criticism from Plato to Dryden Literary Criticism: Plato to Dryden. Detroit: Wayne State UP, 1962.553-64.
_____. An Apology for Actors. In The English Stage: Attack and Defense 1577-1730. New York and London, 1973.
Lamb, Charles. "Elizabethan Drama." In Lamb's Criticism. Cambridge: Cambridge UP, 1923. 15-33.*
Langbaine, Gerard. An Account of the English Dramatick Poets. Oxford, 1691.
_____. Lives and Characters of the English Dramatick Poets. Rev. ed. of Account of the English Dramatick Poets . Ed. Gildon. 1699.
_____. The Lives and Characters of English Dramatik Poets. New York: AMS Press, 1976.
Prynne, William. Histrio-Mastix, the Players Scourge, etc. 1633. Rpt. in The English Stage: Attack and Defense 1577-1740. Ed. Arthur Freeman. New York: Garland, 1974.
Rainoldes, John. Overthrow of Stage Plays. 1593. 1599. 1629.
Scott, Walter. Lives of Eminent Novelists and Dramatists. London: Frederick Warne, 1887.
Ward, Adolphus W. A History of English Dramatic Literature to the Death of Queen Anne. 3 vols. 1899.
See also Attacks on drama.
Miscellaneous
Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550-1750. Cambridge: Cambridge UP, 1986.
Akrigg, G. P. V. Jacobean Pageant or The Court of King James I. 1962.
Altman, Joel. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: U of California P, 1978.
Armstrong, W. A. "Actors and Theatres." In Shakespeare in his Own Age. Shakespeare Survey 17 (1964).
Astington, John H. "Playhouses, Players, and Playgoers in Shakespeare's Time." In The Cambridge Companion to Shakespeare. Ed. Margreta De Grazia and Stanley Wells. Cambridge: Cambridge UP, 2001. 99-114.*
Axton, Marie. The Queen's Two Bodies: Drama and the Elizabethan Succession. London, 1977.
Baker, George P. "6. The Plays of the University Wits." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com (Lyly, Peele, Greene, Lodge, Nashe).
http://www.bartleby.com/215/index.html
2012-07-26
Baker, Howard. Induction to Tragedy: An Study in Development of Form in Gorboduc, The Spanish Tragedy and Titus Andronicus. Baton Rouge: Louisiana State UP, 1939.
Barber, C. L. Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd. Chicago: U of Chicago P, 1988.
Barton, Anne. "The London Scene: City and Court." In The Cambridge Companion to Shakespeare. Ed. Margreta De Grazia and Stanley Wells. Cambridge: Cambridge UP, 2001. 115-28.*
_____. Ben Jonson, Dramatist. Cambridge: Cambridge UP, 1984.
Bawcutt, N. W. The Control and Censorship of Caroline Drama: The Records of Sir Henry Herbert, Master of the Revels, 1623-73. Oxford: Clarendon Press, 1996.
Bayne, Ronald, M. A. "12. Lesser Elizabethan Dramatists." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com (Munday, Chettle, Haughton, Porter, Hatwhaye, Robert Wilson, Wentworth Smith, Drayton, John Day, Samuel Rowley, Fulke Greville).
http://www.bartleby.com/215/index.html
2012-07-26
Belsey, Catherine. The Subject of Tragedy: Identity and Difference in Renaissance Drama. London and New York: Methuen, 1985.
Bevington, David, and Peter Holbrook, eds. The Politics of the Stuart Court Masque. 1998.
Bentley, Gerald Eades. The Profession of Dramatist in Shakespeare's Time 1490-1642. Princeton: Princeton UP, 1971.
_____. The Profession of Player in Shakespeare's Time 1590-1642. Princeton: Princeton UP, 1984.
_____. The Jacobean and Caroline Stage. Oxford, 1941-1968.
_____, ed. The Seventeenth-Century Stage. Chicago, 1968.
Bevington, David. From 'Mankind' to Marlowe. 1962.
_____. Tudor Drama and Politics: A Critical Approach to Topical Meaning. Cambridge (MA): Harvard UP, 1968.
Bliss, Lee. "Pastiche, Burlesque, Tragicomedy." In The Cambridge Companion to English Renaissance Drama. Cambridge: Cambridge UP, 1990. 237-61.
_____. "7. Pastiche, Burlesque, Tragicomedy." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003. 228-53.*
Boas, F. S. "5. Early English Comedy." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com (John Heywood, Nicholas Udall, Textor, Edwards, Whetstone).
http://www.bartleby.com/215/index.html
2012-07-26
_____. University Drama in the Tudor Age.
Boehrer, Bruce. Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England. Basingstoke: Palgrave Macmillan, 2002.
Brooke, Nicholas. Horrid Laughter in Jacobean Tragedy. London: Open Books, 1979.
Bowers, Fredson T. Elizabethan Revenge Tragedy, 1587-1642. Princeton (NJ): Princeton UP, 1940.
_____. Elizabethan Revenge Tragedy 1587-1642. Gloucester (MA): Peter Smith, 1959.
_____. On Editing Shakespeare and the Elizabethan Dramatists. 1955.
Bradbrook, Muriel C. Elizabethan Stage Conventions. Cambridge: Cambridge UP, 1933.
_____. Themes and Conventions of Elizabethan Tragedy. Cambridge: Cambridge UP, 1935.
_____. Themes and Conventions of Elizabethan Tragedy. 2nd ed. Cambridge: Cambridge UP, 1980.
Bradley, David. From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage. Cambridge: Cambridge UP, 1992.
Braunmuller, A. R. "2. The Arts of the Dramatist." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003. 53-92.*
Bregazzi, Josephine. Shakespeare y el teatro renacentista inglés. Madrid: Alianza Editorial, 1999.
Breight, Curtis. Surveillance, Militarism and Drama in the Elizabethan Era. Basingstoke: Macmillan, 1996.
Bruster, Douglas. "Horns of Plenty: Drama and the Market in the Age of Shakespeare." Diss. Harvard U, 1990.
_____. Drama and the Market in the Age of Shakespeare. (Cambridge Studies in Renaissance Literature and Culture 1). Cambridge: Cambridge UP, 1992.
Bulman, James. "10. Caroline Drama." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003.*
Burnett, Mark Thornton. Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience. Basingstoke: Macmillan, 1997.
Bushnell, R. W. Tragedies of Tyrants: Political Thought and Theater in the English Renaissance. Ithaca: Cornell UP, 1990.
Butler, Martin. "4. Private and Occasional Drama." In The Cambridge Companion to English Renaissance Drama. Ed. A. R. Braunmuller and Michael Hattaway. 2nd ed. Cambridge: Cambridge UP, 2003.*
Cerasano, S. P., and Marion Wynne-Davies, eds. Readings in Renaissance Women's Drama: Criticism, History, and Performance, 1594-1998. London: Routledge, 1998. (Book /eBook)
Cerezo Moreno, Marta. "The Dissected Body: Fascination and Horror on the Elizabethan Stage." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 483-89.*
Chambers, E. K. "The Stage in 1592." In Chambers, William Shakespeare: A Study of Facts and Problems. 2 vols. Oxford: Clarendon Press, 1930. 1.27-56.*
Champion, Larry S. Tragic Patterns in Jacobean and Caroline Drama. Knoxville: U of Tenesse P, 1977.
Clare, J. 'Art Made Tongue-tied by Authority': Elizabethan and Jacobean Dramatic Censorship. Manchester: Manchester UP, 1990.
Clark, Robert. "The New Globe Rises." European English Messenger 4.1 (Spring 1995): 12-13.*
Clemen, W. English Tragedy Before Shakespeare: The Development of Dramatic Speech. 1961. London: Methuen, 1980.
Cohen, Walter. "Pre-Revolutionary Drama." In The Politics of Tragi-Comedy: Shakespeare and After. Ed. Gordon McMullan and Jonathan Hope. London: Routledge, 1992.
Coles, Chris. How to Study a Renaissance Play: Marlowe, Jonson, Webster. (How to Study series). Houndmills: Macmillan, 1988.
Cook, A. J. "'Bargaines of Incontinencie': Bawdy Behavior in the Playhouses." Shakespeare Studies 10 (1977): 271-90.
_____. The Privileged Players of Shakespeare's London, 1576-1642. Princeton: Princeton UP, 1981.
Cowhig, Ruth. "Blacks in English Renaissance Drama." In The Black Presence in English Literature. Ed. David Dabydeen. Manchester: Manchester UP, 1985. 14-20.
Coyle, Martin. "The Tragedies of Shakespeare's Contemporaries." In A Companion to Shakespeare's Works: Volume 1: The Tragedies. Ed. Richard Dutton and Jean E. Howard. Malden: Blackwell, 2003. 2006. 23-46.*
Cunliffe, John W. The Influence of Seneca on Elizabethan Tragedy. London: Macmillan, 1893.
_____. "4. Early English Tragedy." In The Drama to 1642, Part One. Ed. A. W. Ward and A. R. Waller. Vol. 5 (English) of The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes. Online at Bartleby.com (Cinthio, Sackville and Norton, Seneca, Famous Victories of Henry the fifth, Troublesome Raigne of King John, True Chronicle History of King Leir).
http://www.bartleby.com/215/index.html
2012-07-26
D'Amico, Jack. The Moor in English Renaissance Drama. Tampa: UP of Florida, 1991.
Dean, P. "Forms of Time: Some Elizabethan Two-Part History Plays." Renaissance Studies 4 (1990): 410-30.
Dent, R. W. Proverbial Language in English Drama, Exclusive of Shakespeare, 1495-1616. 1984.
Diehl, H. "Inversion, Parody and Irony: The Visual Rhetoric of Renaissance English Tragedy." Studies in English Literature 22 (1982): 197-209.
Dillon, Janette. Theatre, Court and City, 1595-1610: Drama and Social Space in London. c. 2000.
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Brighton: Harvester, 1984. (Part I: Radical Drama: Its Contexts and Emergence; Part II: Structure, Mimesis, Providence; Part III: Man Decentred).
_____. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Chicago: U of Chicago P, 1984.
_____. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. 2nd ed. Hemel Hempstead: Harvester Wheatsheaf, 1989. (New introd.).
_____. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. 3rd ed. Houndmills: Palgrave, 2004.* (Foreword by Terry Eagleton. x-xiii. New introd by the author, xiv-xl. Introd. to the 2nd ed., xli-xcix).
Donaldson, Ian. "5. Ben Jonson." In English Drama to 1710. Ed. Christopher Ricks. (Sphere History of Literature in the English Language, 3). London: Sphere Books, 1971. 278-305.*
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_____, ed. A Select Collection of Old English Plays, originally published by Robert Dodsley. Rev. W. Carew Hazlitt. 15 vols. 1874-6.
Fraser, A., and N. Rabkin, eds. Drama of the English Renaissance. New York: Macmillan, 1986.
Gibson, Colin. Six Renaissance Tragedies (The Spanish Tragedy, Doctor Faustus, The Revenger's Tragedy, The Changeling, The Duchess of Malfi, 'Tis Pity She's a Whore). Houndmills: Macmillan, 1997.
Kinney, Arthur F., ed. Renaissance Drama: An Anthology of Plays and Enterntainments. (Blackwell Anthologies). Oxford: Blackwell, 1999.
Knowland, A. S., ed. Six Caroline Plays. London, 1962.
Lawrence, Robert G., ed. Jacobean and Caroline Comedies. London: Dent.
_____, ed. Jacobean and Caroline Tragedies. London: Dent.
Lindley, David, ed. Court Masques: Jacobean and Caroline Entertainments, 1605-1640. (Oxford Drama Library / World's Classics). Oxford: Clarendon Press, 1995.
Maus, Katharine Eisaman, ed. Four Revenge Tragedies of the English Renaissance. 1995.
McIlwraith, A. K., ed. Five Elizabethan Tragedies. (World's Classics, 452). London: Oxford UP, 1938. Rpt. 1945. 1950. 1952. 1957. 1959. 1961. 1963. 1966. 1969.* (Seneca, Thyestes, trans. Jasper Heywood; Norton and Sackville, Gorboduc; Kyd, The Spanish Tragedy; Anon., Arden of Feversham; Thomas Heywood, A Woman Killed with Kindness).
Rasmussen, Eric, coed. Norton Anthology of English Renaissance Drama.
Robertson, Jean, and D. J. Gordon, eds. Collections, 3. Oxford: Malone Society, 1954.
Shaughnessy, Robert, ed. Four Renaissance Comedies (George Peele, The Old Wives Tale, Ben Jonson, The Alchemist, Philip Massinger, A New Way to Pay Old Debts, Thomas Dekker, The Shoemaker's Holiday). Basingstoke: Palgrave Macmillan, 2003.
Spencer, T. B. J., and S. Wells, eds. A Book of Masques. (Jonson, Daniel, Campion, Beaumont, W. Browne, Davenant). Cambridge: Cambridge UP.
Thorndike, A. Introd. to Minor Elizabethan Drama. 2 vols. (Everyman's Library, 491-2). London: Dent; New York: Dutton. (Vol. 1, Tragedy: Norton and Sackville, Gorboduc; Kyd, Spanish Tragedy; Peele, David and Bethsabe; Arden of Feversham; Vol. 2, Comedy: Udall, Ralph Roister Doister; Lyly, Endimion; Peele, Old Wives' Tale; Greene, Friar Bacon and Friar Bungay; etc.).
Whitworth, C., ed. Three Sixteenth-Century Comedies. (The Old Wives' Tale, Gammer Gurton's Needle, Ralph Roister Doister). (New Mermaid Series). London: E. Benn.
Audio
Bragg, Melvyn, et al. "Elizabethan Revenge." Audio. BBC 4 (In Our Time) 18 June 2009.*
http://www.bbc.co.uk/programmes/b00l16vp
2016
Bibliographies
Baker, David E. The Companion to the Playhouse. 2 vols. 1764.
Baker, D. E., Isaac Reed, and Stephen Jones. Biographia Dramatica: or, a Companion to the Playhouse. 3 vols. 1812.
Corbin, Peter, and Douglas Sedge, eds. An Annotated Critical Bibliography of Jacobean and Caroline Comedy. Hemel Hempstead: Harvester Wheatsheaf, 1988.
García Landa, José Angel. "Renaissance English Drama." From A Bibliography of Literary Theory, Criticism and Philology. Online at Scribd (Taibur Rahaman) 3 Dec. 2014.*
https://es.scribd.com/doc/249053691/3-Renaiss-english-drama
2014
_____. "Bibliografía del teatro inglés del Renacimiento." In García Landa, Vanity Fea 4 Dec. 2014.*
http://vanityfea.blogspot.com.es/2014/12/bibliografia-sobre-teatro-ingles-del.html
2014
Wagonheim, Sylvia Stoler, ed. The Annals of English Drama 975-1700. London: Routledge, 1990.
Dictionaries
Nungezer, Edwin. A Dictionary of Actors and of Other Persons Associated with the Public Presentation of Plays in England Before 1642. New Haven: Yale UP, 1929.
Documents
Feuillerat, A. Documents Relating to the Office of the Revels in Time of Queen Elizabeth. Vol. 21 of Materialen zur Kunde des älteren Englischen Dramas. Gen. ed. W. Bang.
Foakes, R. A., and R. T. Rickert, eds. Henslowe's Diary. (Philip Henslowe). Cambridge: Cambridge UP, 1961.
Pollard, Tanya, ed. Shakespeare's Theater: A Sourcebook. Oxford: Blackwell, 2003.
Streitberger, W. R. Jacobean and Caroline Revels Accounts, 1603-1642. Oxford, 1986.
Internet resources
Before Shakespeare: The Beginnings of London Commercial Theatre 1565-1595.*
https://beforeshakespeare.com/
2020
"London Theatres." From Trussler's Cambridge Illustrated History of British Theatre.
http://es.scribd.com/doc/111146660/London-Theatres
2012
Staging the Henrician Court
http://stagingthehenriciancourt.brookes.ac.uk/
2012
Journals
Early Theatre: A Journal Associated with the Records of Early English Drama.
Ed. Helen Ostovich.
Department of English.
McMaster U, Hamilton,
Ontario L8S4L9,
Canada.
Vol. 2 (1999).
The Elizabethan Theatre 14 (1996).
Medieval and Renaissance Drama in England 5 (1991).
Renaissance Drama
Northwestern UP
Vol. 21 (1990)
Literature
Jonson, Ben. "Prologue to Every Man In His Humour." Bartleby.*
https://www.bartleby.com/library/poem/2907.html
2021
Marston, John. Histrio-Mastix. Or, THE PLAYER whipt. London: Printed [by George Eld] for Th. Thorp., 1610. Online facsimile at the Internet Archive.*
https://archive.org/details/histriomastixorp00mars
2021
Series
(English Dramatists). Houndmills: Macmillan, c. 1998.
(Globe Quartos). London: Hern, c. 1998.
(Malone Society Reprints). Oxford: Oxford UP, c. 1914.
(Regents Renaissance Drama Series). London: Arnold, c. 1968.
(The Revels Plays). London: Methuen, 1964.
Societies
Malone Society (Renaissance drama). Dr. Martin Wiggins. Shakespeare Institute. Church Street. Stratford-upon-Avon CV37 6HP.
See also Shakespeare, William; Marlowe, Christopher; Fletcher, John; Chapman, George; Jonson, Ben; Lyly, John; Beaumont, Francis; Middleton; Massinger; Dekker; Webster.
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