(Re)defining Gender in Early Modern English Drama

 

Martínez-García, Laura, and María José Álvarez Faedo, eds. (Re)defining Gender in Early Modern English Drama. (Critical Perspectives on English and American Literature, Communication and Culture, 25). Bern, Berlin, Brussels, New York, Oxford: Peter Lang, 2021.* (I. Introduction; II. Negotiating Gender Off-stage: Patronesses, Celebrities and Playwrights; III. Women Acting: Performance, Identity and Power; IV. men on Stage: Buttressing and Questioning Notions of Manhood; V. Women Rewriting Men: Aphra Behn on Masculinity).

 

Martínez-García, Laura (U de Oviedo). "(Re)Defining Gender in Early Modern British Drama." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 11-19.*

Rodríguez-Loro, Nora. (U de Sevilla). "Charles II's Mistresses and Patronesses of Drama: The Dedications Addressed to Cleveland, Gwyn, and Portsmouth." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 23-48.*

Oroszlán, Anikó (U of Pécs, Hungary). "'The Female Humourist, a Kickshaw Mess': The Identities of the 'Man-Woman' Performer in Early Modern England." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 49-72.*

Álvarez Faedo, María José. (U de Oviedo). "How Emotions Were Used as Strategies of Power in the Plays and Memoirs of Margaret Cavendish." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 73-91.*

Vicente Calvo, Manuel (UNED). "'Our Worser Thoughts Heaven Mend!' Because Shakespeare Wouldn't: A View on the Construction of Femininity in Antony and Cleopatra." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 95-116.*

Borham Puyal, Miriam. (U de Salamanca). "Romantic Readers on Stage: How Don Quixote Became a Woman and Attempted to Change the World." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 117-38.*

Vazifehshenas, Sara, and Nahid Shahbazi Moghadam. (Semnan U, Iran). "Arche-Violence and Rape in Thomas Middleton's Women Beware Women." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 139-59.*

Pikli, Natália. (Eötvös Loránd U, Hungary). "'Gallops to the Tune o' "Light o' Love"': Hobby-Horses, Stigmatised Women and Male Riders in The Two Noble Kinsmen." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 163-87.*

Serrano González, Raquel. (U de Oviedo. "The Double Marriage: a Gendered Approach to Politics and Power." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 189-204.* (Fletcher/Massinger).

Figueroa Dorrego, Jorge (U de Vigo). "'I Have Had Enough of Variety': Reclaiming the Rake in The Debauchee." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 207-24.* (Anon., related to Brome's A Mad Couple Well Match'd, 1639, pub. 1653).

Tomé Rosales, Ángeles (Centro de Lenguas, Fundación U de Vigo). "'Onely Cheated, Robb'd, Abus'd, and Undone, Sir': Wine and the Whiggish Merchant in Behn's The Revenge: Or, A Match in Newgate (1680)." In (Re)defining Gender in Early Modern English Drama. Ed. Laura Martínez-García and María José Álvarez Faedo. Bern: Peter Lang, 2021. 225-40.*